It for Others. Photograph: Courtesy of Duncan Campbell and Rodeo Gallery. This screening was on the same day that The Turner Prize finalists were announced in the press of which Duncan Campbell’s 2013 film It For Others will be shown as part of the Turner Prize exhibition later this year. All requests to license audio or video footage produced by MoMA should be addressed to Scala Archives at [email protected]. The visual language of the various sections of Campbell’s film can be summed up in a few words; pre-colour BBC TV arts documentary, post-modern dance forms with a distant ancestry in Busby Berkeley’s abstracting camera style, 3D animatic work of found objects (a notable and superior antecedent being Paul Bush’s While Darwin Sleeps (2004) a similar film, though of insects) and the ubiquitous ‘archive footage’. Duncan Campbell Director; Screenwriter; Editor “With any representation, events or history, there is much that is not said. Duncan Campbell’s 55 minute Turner Prize winning film It For Others begins with a long section consisting of static black and white shots of ‘African’ masks. All requests to license audio or video footage produced by MoMA should be addressed to Scala Archives at [email protected]. Descubre (y guarda) tus propios Pines en Pinterest. Embellishment Drawing. Duncan Campbell (born 1952) is a British freelance investigative journalist, author, and television producer. Please, Purchase funds provided by The Fund for the Twenty-First Century. A monologue describes the way the ‘western eye’ has misread these objects as artworks, appropriated them as commodities, in general violated their being in a manner that symbolizes the west’s exploitative relationship with Africa. Film Screening: Duncan Campbell, It for Others (2013) at MIT Massachusetts Institute of Technology on Tuesday Nov 19, 2013 at 6:30PM "I remember some years ago sailing past a lighthouse and coming away with th… From MOMA: "This meditation on cultural imperialism and the commodification of objects is an expanded historical response to Chris Marker and Alain Resnais’ 1953 film Statues Also Die. Duncan Campbell (born Dublin, 1972) won the 2014 Turner Prize for his contribution to Scotland’s pavilion at the Venice Biennale. The process of making the films becomes a means to further understand his subjects and reveal the complexity of how they have been previously represented. For Where I Am, ATLAS and Taigh Chearsabhagh host a pan-island screening of Duncan Campbell’s Turner Prize-winning work It For Others (2013). Find movie and film cast and crew information for It for Others (2013) - Duncan Campbell on AllMovie 10 2016. Born in Boston, Massachusetts on November 19th, 1937, he was the son of the late Clarence F. and Eleanor (Mills) Campbell. The choreographic moves are based on theories of the commodity and are designed to illustrate them. For access to motion picture film stills please contact the Film Study Center. Statues, by contrast, concerns itself with issues proper to the experience of trying to understand artifacts from other cultures, and this is where it functions as an effective art-discourse. Will Turner Skulptur Kunst Moderne Kunst Palazzo Venedig. Duncan Campbell’s 55 minute Turner Prize winning film It For Others begins with a long section consisting of static black and white shots of ‘African’ masks. Synopsis. Home; Ask me anything; Archive Check out what we'll be watching in 2021. Like his other films, It For Others blends together found footage … The process of making the films becomes a means to further understand his subjects and reveal the complexity of how they have been previously represented. Gemt af Bora Lee. At the same time the work produced is often artistically conservative: conventional and impoverished. Duncan Campbell's film It for Others wins Turner Prize It for Others : Irish film artist Duncan Campbell was awarded this year's £25,000 Turner Prize for a video that reflects on African art and includes a dance sequence inspired by Karl Marx. The decontextualisation of these artifacts goes hand in hand with their transformation into commodities, their commodifiability. Campbell took the prize for his video work "It for Others" – a work that reflects on African art and includes a dance sequence inspired by Karl Marx. Duncan Campbell has taken Chris Marker and Alain Resnais’ 1953 film Les Statues meurent aussi (Statues also Die) as both source and artefact, to pursue a … Change ). Duncan Campbell was blessed and used by God in Scotland in the early part of this twentieth Century. Since 1975, he has specialised in the subjects of intelligence and security services, defence, policing, civil liberties and, latterly, computer forensics. It for Others (2013) Directed by Duncan Campbell Genres - Avant-garde / Experimental , Culture & Society | Run Time - 54 min. While attending … Duncan Campbell is an Irish video artist based in Glasgow, he trained at the University of Ulster and the Glasgow School of Art. Film F. Duncan Campbell, age 83, passed away on Monday, December 21st, 2020 at the Good Samaritan Hospital in Brockton, Massachusetts. ( Log Out /  Duncan Campbell (born Dublin, 1972) won the 2014 Turner Prize for his contribution to Scotland’s pavilion at the Venice Biennale. The film he was nominated for, It For Others, is a film about understanding history through objects. The IMDb editors are anxiously awaiting these delayed 2020 movies. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. Duncan Campbell from “It For Others” Mar. New facts are discovered, things are forgotten. A monologue describes the way the ‘western eye’ has misread these objects as artworks, appropriated them as commodities, in general violated their being in a manner that symbolizes the west’s exploitative … It for Others is the 2014 Turner Prize winning film by filmmaker and artist Duncan Campbell, which explores the colonial commercialisation of African art and the impact of colonialism on African heritage. To find out more, including which third-party cookies we place and how to manage cookies, see our privacy policy. It for Others, 2013 (16mm film transferred to digital video, 54 minutes) Alain Resnais and Chris Marker, Les statues meurent aussi (Statues Also Die), 1950-53, 30min. Duncan Campbell’s films include Bernadette, It For Others, Highly Strung, The Welfare of Tomás Ó Hallissy… Campbell’s dance sequence, by contrast, uses ‘formulae’ from Capital to generate a choreographic score, in much the same way that a star map was used to generate the musical score for John Cage’s Atlas Eclipticalis (1961-2), for example, but if one wants really to understand Marx’s theories of the commodity, one is better off reading Capital which is a lucid, if long, read: the dance sequence is about as much use to a student of Marxist theory as Cage’s music would be to the crew of a space ship. In 2013, Campbell was one of the three artists chosen to represent Scotland at the Venice Biennale. This moving image work explores issues of cultural imperialism and commodity in a complex layering of archival material, modern day commodities, and a performance made in collaboration with the Michael Clark Dance … If you would like to publish text from MoMA’s archival materials, please fill out this permission form and send to [email protected]. Its attempt at endearing itself to its buyer? Alas, it was not to be, but at least it got us to thinking about dividing the spaces into more manageable chunks. He was raised in Walpole and graduated from Walpole High School with the Class of 1956. Artist and filmmaker Duncan Campbell has taken Chris Marker and Alain Resnais’ 1953 film ‘Les Statues meurent aussi’ (Statues also Die) as both source and artefact, to pursue a meditation on the life, death … In the second section, Michael Clark’s company perform a dance, shot from high overhead, also in high contrast black and white. Motion picture film stills or motion picture footage from films in MoMA’s Film Collection cannot be licensed by MoMA/Scala. Thus the authorial voice of the artist and his editorial decisions are not themselves subjected to the critique that is offered in the voice-over: the images remain unquestioned, as self-evidently sufficient, the objects as ‘timeless’ and ‘beautiful’. If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations). Licensing . 10-12-2014 - Duncan Campbell 'It for Others' film 2013 - Turner Prize 2014 nominee. In other words Resnais/Marker establish a dialectical relationship with their material, which is considered in its specificity, in detail, in contrast to Campbell’s film, in which the artifacts function as place-holders, fulfilling a generic, illustrative role, by virtue of the fact that the soundtrack talks in abstractions and generalities around the objects as examples of commodified artifacts, and does not address them in their specificity. The arguments it rehearses constitute little more than a very basic overview cum primer in post-colonialism, imperialism, the ransacking of other cultures for profit, the culture of the IRA, the pricing of artworks, the unreliability of history and other topics. Duncan Campbell It for Others 2013 Show more results Last » Licensing.